Analysis of the Images of Women Anis Episode 1, She claims that men will never greet their wives in the morning and tell them to go out and have fun while they cook instead. She pretends that she is attracted to him and that arouses his suspicions which push him to leave hurriedly. Youssef sarcastically says that Karima is not like other women. The eldest daughter offered to tend to the widows after the guests are gone while showing her frustration after mopping the floor of the whole house.
Analysis of the Images of Women As soon as she opened the letter she discovered what seemed to be a will but someone called her before she could read it. In this scene, the stereotypical conflict between the wife and her mother in law is portrayed as Sfiya, the mother in law, expresses the resentment that she harbors towards Mennana because she denied the late husband from seeing his mother in his lifetime and even after his death he was buried before his mother had the chance to bid him farewell properly. After Younes left, Anis walks to Dr. Not only is her competency as a doctor is overlooked, she is harassed at the work place by a colleague of her and the interesting thing is that she is shown as being impressed by that and even enjoying it. Anis complains to him about how exhausted he is. Hanae smilingly grabs the note and watches Anis leaving with admiring looks on her face. Their maid who is present at the ceremony asks 26 Dar el Ghezlane, Episode 1 www.
The interesting thing in this scene, however, is the fact that mother in laws are depicted as having the tendency to use emotions to win their grandchildren over to their sides. Mounia, Karima and Hajj Bahi Episode 1, She is portrayed as a character that does not shy away from expressing her opinions and demanding her rights in the public sphere even in a community where such a behavior is frowned upon. Interestingly, this scene depicts the sudden emancipation that the absence of the father figure leaves.
The Hajj, an important man in his village, is portrayed as the typical rural man. Amina ironically remarks that Karima is neither like rural girls nor Spanish ones. They, then, resume their slogans and leave the ceremony. Once more, the woman is depicted as a disrespectful figure that does not shy away from sneaking into the kitchen in the middle of a funeral to steal food. This confirms her views on the matter and reinforces the stereotypical tendency of conservative fathers to resort to violence in order to solve family issues instead of more civilized alternatives.
She waits until Karima leaves and calls her boyfriend again wishing that he would answer the call.
During the funeral, as the guests are mourning the dead man, two pala the daughters, Bahia and Chama played by Noura Skalli and Samya Akeryou, argue in whispers as the first one blamed the second for not painting the windows properly.
After that they all leave the villa. In this case, Karima plays on the masculine conservative mentality by using the taboo of virginity to her advantage.
Their maid who is present at the ceremony asks 26 Dar el Ghezlane, Episode 1 www. She claims that men will never greet their wives in the morning and tell them to go out and have fun while they cook instead.
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Bahia in the Father’s Room Episode 1, After Younes left, Anis walks to Dr. One of the women responds by saying that she should be neutral, if women are doing work at home then men are doing work outside to provide for the family.
Aicha in the Kitchen Episode 1, Hanae and introduces himself. He asks the maid where Karima is, when the latter tells him that she is in her room he asks her to call her in order to say Hi to Rachid.
It tells the story of Hajj Bahi, the governor of Episodw el Ghezlane who is played by the late Mohammed Bestaoui, and how he struggles with his eldest daughter Karima, played by Meriem Zaiimi, who is a feminist in the unlikeliest of places.
This perpetuates the idea that even if a woman has reached the peak of her career and is financially independent and highly educated she is still susceptible to the tricks played by men.
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It was chosen in order to shed light on how the conservative mentality regards women and it serves as a unique example of a series that features a feminist figure who originates from a rural area which is worth considering and putting under the microscope. Moving on from to a more recent time, the episove scene has witnessed many efforts as far as empowering the image nnana women in the media is concerned.
In this scene we notice a shift from the urban area to a rural one. Mounia blames her sister of being mean and the latter warns her episodr men and claims that all they want to do is put women under their shoes.
Chama then entered the scene and ran to hug her grandmother and they sobbed together; Rhimou and Bahia soon joined them.
Younes asks him if he will ever change and says that Dr.
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Likewise, even wearing make-up was faced with scorn which further proves the kind of pressure that female women go through in rural households as depicted in the scene. It is the newest one of the two as it was only aired in Upon noticing him, the women scream and warn one another that there is a man watching them. She also opens a box in which he kept his Tasbih beads, favorite cassettes, smoking pipe and photo album.
She then starts sneering at Hajj Bahi and mocking at the fact that he gathered all these people just to welcome a doctor. Embedded in this scene is another quality that is particularly associated with rural fathers. After a while, a woman enters the house wearing a black jellaba and starts sobbing and moaning about how they did not wait for her to see the dead man and bid him farewell before his burial. Karima and the Women of the Village Protesting Episode 1, Although met with some resistance, the scene gives the impression that rural women can claim their rights and voice their opinions provided that there is someone to raise their awareness and encourage them to pursue recognition and equality.
Shortly after that, Karima comes and feigns illness, she asks Rachid to help her sit.